Copyright
Like?

The Lost Generation: Expatriate Writers of the 20th Century

Start Your Free Trial To Continue Watching
As a member, you'll also get unlimited access to over 8,500 lessons in math, English, science, history, and more. Plus, get practice tests, quizzes, and personalized coaching to help you succeed.
Free 5-day trial
It only takes a minute. You can cancel at any time.
Already registered? Login here for access.
Start your free trial to take this quiz
As a premium member, you can take this quiz and also access over 8,500 fun and engaging lessons in math, English, science, history, and more. Get access today with a FREE trial!
Free 5-day trial
It only takes a minute to get started. You can cancel at any time.
Already registered? Login here for access.
  1. 0:05 Post-World War I America
  2. 1:10 The Lost Generation
  3. 2:39 Representative Writers
  4. 4:58 Common Themes and Characteristics
  5. 7:24 Lesson Summary
Show Timeline
Taught by

Katherine Godin

Katherine is a teacher of middle and high school English and has an M.A. in English Education and an M.Ed. in Educational Administration.

In this lesson, we will explore the effects of WWI on the American literary community. We will take a look at the Lost Generation of writers, the characteristics of their work and the ways in which they represented post-war attitudes both in the U.S. and abroad.

Post World War I America

World War I, or the Great War, changed American attitudes in ways that weren't anticipated. After having witnessed death and destruction on an unparalleled scale, many young Americans felt a sense of shock at what was perceived as pointless deaths in a war of automatic weaponry and barbaric practices - a war that took place across an ocean. This country that they once knew, a safe childhood playground solidly constructed of patriotism, faith, and morality pre-war, had fallen. What was left was a population of young who felt aimless and scattered, without the kind of direction that led to a purposeful life, and with a whole lot of excessive behavior.

These sentiments pervaded many cultural aspects of change in the 1920s, including literature. Writers felt that the old norms were no longer relevant, the old ways of writing no longer relatable. They criticized what the country had become after losing a sense of hope in the war, and how its people, among other things, felt lost. Making sense of things, for them, was a frustrating exercise.

The Lost Generation

The term the Lost Generation was introduced by Gertrude Stein, a modernist American writer who made Paris her permanent home. As the story goes, Stein's auto mechanic was upset when his young employee did unsatisfactory work on her car. The mechanic reasoned that the young were all a lost generation, difficult to prepare for work or focus.

Ernest Hemingway, a friend of Gertrude Stein, made it a popular concept when he included it as an epigraph in his novel The Sun Also Rises. The Lost Generation, therefore, really referred to that group of men and women who came of age during World War I and who felt disillusioned in this unfamiliar post-war world.

As it relates to literature, the Lost Generation was a group of American writers, most of whom emigrated to Europe and worked there from the end of World War I until the Great Depression. So, America was filled with cynical people who were facing less than certain future, but why move across the ocean just to write? Well, many of these writers felt that their home and life could never be repaired, and that the United States that they knew was gone completely.

A bohemian lifestyle of travel among intellectuals felt far more appealing than remaining in a place where virtuous behavior no longer existed, faith in religion was broken, and a connection to morality was questionable at best. So, the expatriate writers living in Europe wrote about the trials and tribulations of this Lost Generation, while, interestingly enough, being a part of it themselves.

Representative Writers

The most famous writers of the Lost Generation were Ernest Hemingway, F. Scott Fitzgerald, John Dos Passos, Gertrude Stein, and T.S. Eliot. There are writers who, like Sherwood Anderson, are considered a part of the Lost Generation of writers, but who are either less recognizable writers or weren't as closely tied into the expatriate community in Europe as the others. In order to get a glimpse into what categorized each as a member of this Lost Generation, we will take a closer look at a few of them now.

Gertrude Stein was born and raised in the United States, but moved permanently to Paris in 1903. She was a lover of art and literature and was considered by herself and others as somewhat of an expert on literary innovation and talent. She began to host gatherings at her Paris home, mentoring young writers and critiquing their work. While her reputation as a mainstream writer wasn't solidified until later in her life, her leadership in modernism was respected. Many writers sought to be a part of her club.

Ernest Hemingway served in World War I as an ambulance driver on the Italian front and was, in fact, injured. He married and moved to Paris with his first wife, quickly becoming a part of the expatriate community. He is most well known for his style of writing. While his stories are gripping, it is his break from traditional narrative that makes him unique. Sparse in language, and skilled in his use of silence, dialogue and action, Hemingway made deliberate choices to break from the flowery language of the past, the very language that defined a very different time. He was mentored by none other than Gertrude Stein.

F. Scott Fitzgerald was a second lieutenant in the war; however, he never served abroad. Instead, he married a wealthy woman from Alabama whom he met during his time assigned there. What fascinated Fitzgerald, as his writing life developed, was this post-war culture in America and what had become of this moral structure that once held up a nation and a generation of young folks. As Fitzgerald gained fame, he traveled back and forth to Europe and became a part of the inner literary circle led by Gertrude Stein and Ernest Hemingway. He also embodied much of what he described in his own work; life had become about excess, partying, money, and aimlessness. Interestingly enough, as the story goes, Fitzgerald and Hemingway had a love-hate kind of relationship, but Hemingway nonetheless admired his work.

Common Themes and Characteristics

The literary work of the Lost Generation writers initially feels as individual as the writers themselves; however, the common characteristic - a break from the past - was used in both form and content. What does this mean? Well, gone were the hopeful love stories or the pieces so grounded in Victorian ideals. The tone and mood of writing had clearly changed.

Now the reader could sense a cynicism about life, a feeling that the writer created a world that lacked the structure that a solid family life, religious faith, or self-determination might give. The past, to many, was a perfect and happy place, really quite idealized. The present was a space devoid of tradition and religion, each character somehow questioning their own identity in this new world.

Unlock Content Over 8,500 lessons in all major subjects

Get FREE access for 5 days,
just create an account.

Start a FREE trial

No obligation, cancel anytime.

Want to learn more?

Select a subject to preview related courses:

People are saying…

"This just saved me about $2,000 and 1 year of my life." — Student

"I learned in 20 minutes what it took 3 months to learn in class." — Student

See more testimonials

Did you like this?
Yes No

Thanks for your feedback!

What didn't you like?

What didn't you like?

Next Video
Create your Account

Sign up now for your account. Get unlimited access to 8,500 lessons in math, English, science, history, and more.

Meet Our Instructors

Meet all 53 of our instructors

Copyright